My first blog post at this new location was all about Star Wars, written just after I had seen The Force Awakens. I won’t go over old ground too much because my views haven’t really changed since then. Suffice it to say, I was in the slightly younger edge of the target age for Star Wars IV: A New Hope when it first came out back in the 1970s, bang in the age bullseye for Star Wars V: The Empire Strikes Back, and slightly over the target age range for Star Wars VI: Return of the Jedi. I was disappointed by the first trilogy, but loved Star Wars VII: The Force Awakens.
Having read some reviews and dipped into the new ‘established wisdom’ (or so it seems), I’ve been thinking about why I like the ones I like, and where I think the discordance is.
A New Hope remains a cracking good adventure that deftly introduces a bunch of characters you quickly begin to like. It helps that they’re tropes, to a large extent, but with elements of originality and played well to take the predicable edge off. Its place in the annals of successful blockbuster film-making is well-earned. Empire is the near-perfect sequel – characters and situations flow almost seamlessly from Hope. It doesn’t seem to be a re-hash, but actually the story beats are similar enough. Empire remains a firm favourite of mine, but truth be told I know it would struggle as a standalone. Jedi is immense fun, and while the adventure continues apace I have trouble with the character arcs. I think it’s where the flaws in how George Lucas approaches storytelling are first made obvious. I am referring to the jarring revelations about Luke and Leia’s relationship. I remain of the view that Lucas made that bit up as a tack-on.
Even though I was never part of Star Wars fandom, I did feel the gap between Jedi and Phantom Menace. In a way, it was similar to that experienced by Doctor Who fans of the original series that stopped regular TV broadcast in 1989 and didn’t return to TV until 2005. There were rumours, often quashed, and then when the rumours became real it never seemed quite real until cinemas were booked and tickets went on sale.
And, yes, I was one of those terribly disappointed by how Star Wars returned. I think that the main trouble was in the casting of Anakin (too young in the first, and the worst actor possible to play him as a troubled teenager and young adult). We should have seen a study in the descent from troubled good to pure evil that is yet redeemable by Luke’s innocent belief that his father cannot be all bad (or what does it mean for him?). Also, I don’t think the story beat was in sync with the middle trilogy. After all, why the need to have a whole series added in to tell the key story of the Clone Wars if it was all done so masterfully?
Having said that, though, I do still enjoy watching them.
I was wary of Force Awakens, but blown away by it. I rarely go to the cinema these days (lots of reasons why) so to go an see a film twice on its first release is a bit deal for me. I recognise that nostalgia plays a role in my love of it, but there is more to it than that. I’ve seen comment that it’s just a copy of A New Hope, but I don’t think it’s that simple either. I think people are confusing a particular plot structure that works because the characters and set-pieces flow (Jedi’s the same as Hope, only it didn’t work quite as well because the character arc rang a discordant note, in my opinion).
My ranking of the Star Wars films in order are: Empire Strikes Back, A New Hope, Force Awakens, Jedi, Revenge of the Sith, Attack of the Clones, and then Phantom Menace. My favourite watching order is IV, V, (I), II, III, VI, VII.
Which brings me to Rogue One.
I am aware of a lot of nonsense surrounding it connected to the horrible political space the world is in currently. Some of it surfaced around the time Force Awakens was released and is entirely in the GamerGate and Sad/Rabid Puppies world as far as I’m concerned. I’m a Doctor Who fan and I have never been able to fathom the ‘fan as hater’ thing. Rabid hatred totally out of all proportion, and so often targeted against people who are just making entertainment, and in some small cases trying to make said entertainment reflect and appeal to a wider audience than just white, straight, cis men who speak English as their first and only language.
I watched some of the trailers, which made me smile as I realised the whole object of the film was to tell the tale of the many Bothans who died bringing the plans of the Death Star to the Rebel Alliance. Only it doesn’t, really, but that’s okay. It tells the story of Jyn Erso and a rag-tag bunch of interesting characters thrown together – mostly reluctantly – to steal the plans of the highly secret Death Star to a Rebel Alliance struggling to stay allied. It’s a great romp, with real heart in terms of the terrible effects of tyranny on mostly ordinary people.
I have a feeling it has made as many continuity errors as it fixed.
I admired the CGI that brought back Peter Cushing OBE to the role of Grand Moff Tarkin, but was also distracted by it. The odd twitching of his facial muscles…
But, the character arcs were terrific, and the battles spectacular and actually awful. If you know the Star Wars saga reasonably well, then you knew the inevitable conclusion, and it drove to it in what I thought was perfect sense and with a chaotic sense of humour (the rebellion are clearly not great strategists). It neatly stitched the first trilogy to the second with Senator Bail Organa getting his adoptive daughter Leia into the action to take the stolen plans to safety from a terrible space battle via an old friend in hiding who might be able to help…